Virtual Exhibit

Abundance of your endeavors by Eric Wixon (2023)

acrylic, pencil on canvas, 61 x 46 cm

“Never mind the naysayers – do what you love and enjoy the ride.
I grew up in a town of 2000 people in Ohio. I loved skateboarding and
always wanted to surf.

In 2001 I travelled around the country for a few months with my girlfriend
at the time. We were in a small car, camping, had very little money, and were
totally in love. We ended up in Portland, OR and my surfing journey began
in those cold waters. ”

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Adventurous Outcomes by Eric Wixon (2023)

acrylic, pencil on canvas, 61 x 46 cm

“Adventurous outcomes” is from a series of paintings that were based off sketches
from various surf trips. It’s like when you hear a song and it connects you
to a specific memory. These paintings are nostalgia personified with all the stoke
that comes from catching waves with your buddies…good magic.”

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footplant / I’ll know my song well
before I start singin’ by Eric Wixon (2020)

acrylic, pencil on canvas, 102 x 76 cm

“In this painting, I’ve poured my emotions into every brushstroke,
creating a conversation between reality and imagination.

Blending acrylic, pencil, and spray paint, I’ve crossed the boundaries
of fine art and surrealism to semi-abstract forms
with a nod to cubism.

It’s a depiction of complexity within the human psyche,
an intertwining dance of thoughts and feelings.“

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explore some options / I’ll let you be in my dream
if I can be in yours by Eric Wixon (2020)

acrylic, pencil on canvas, 102 x 76 cm

“In this fusion of fine art and art brut, I wield acrylics, pencil, and spray
to orchestrate a symphony of semi-abstract, symbolic forms.

My passion is infused in the bold strokes and vibrant hues,
invoking a dialogue of dream and reality.

To the beholder, it brings a burst of creative energy,
inspiring a personal journey through the layers of emotion
and interpretation conveyed in this visual narrative.“

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Matrix by Juan Jose Hoyos Quiles (2019)

acrylic on Canvas, 61 x 76 cm

“I am influenced by architecture, patterns, graphic design,
and anything with a minimalist aesthetic.

Having gestated and remixed many abstract styles,
my intention is to force a new dialogue inherent to abstraction
that started in the early 1900s and continues to be relevant
to this day.”

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Smack-Dab (In The Middle) by Juan Jose Hoyos Quiles (2016)

acrylic on canvas, 46 x 61 cm

“Smack-Dab (In The Middle) starts my return to hard-edged,
geometric and minimalist iconography.

The title refers to a song by the same name released in 1979 by Janice McClain.
It is a Rhythm and Blues/Disco music classic, in other words,
an unforgettable dance tune.

Merriam-Webster dictionary defines smack-dab as exactly,
directly, squarely, first used in 1892. When I finished this painting
the title came to me instantly. The central part of the painting says it all.

This work was less intuitive than usual and approached in a more precise manner,
starting from the center dimensions of the canvas and making decisions outward.

I limited myself to red, black, and white because
I wanted to explore a graphic outcome.”

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Campagne au cyprès by Michel Phelippeau (2024)

oil on linen, 80 x 100 cm

“In this landscape, the trees set the pace with their red reflections
in the sun and this majestic cypress seems to nourish the composition
of this painting.

The soft harmony of the colors adds to the charm
of this soothing nature.”

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Le bateau blanc dans les Calanques by Michel Phelippeau (2024)

oil on linen, 61 x 46 cm

“On a beautiful sunny day, a white boat glides slowly
on the turquoise sea in the Calanques.

And, play on the composition and perspectives.”

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La campagne de Provence by Michel Phelippeau (2023)

oil on linen, 97 x 130 cm

“A walk in Provence – walking on this little white path
among the olive trees.

I felt great pleasure in painting this view
with this beautiful harmony that I chose.”

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Echoes of Bright Futures by George Rosaly (2024)

acrylic, ink on canvas, 102 x 76 cm

“In crafting this piece, I explored a blend of abstract expression,
pop art flair, and comic book style strokes.

The layered, geometric backdrop contrasts with the stark,
iconic character in the forefront, embodying a play of nostalgia
and modernity.”

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In penumbra by Elisa Bonotti (2024)

acrylic, india ink on canvas, 80 x 80 cm

“In this work, I tried to capture a profound emotion
through the contrasting use of India ink and acrylic,
playing between maximum simplicity and the density of black.

The minimalist forms and use of pop art serve to explore
the tension between the visible and the invisible,
expressing a feeling of mystery and introspection.”

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